A Dozen Eggs - Exhibition Update

As the exhibition date for A Dozen Eggs draws nearer (12 Nov to 1 Dec 2012), it's really exciting to see that the gallery (Bank Street Arts in Sheffield) has advertised it, with a synopsis and an image (of my brother Graham) for all the world to see.

Even more exciting, the Open College of the Arts have just launched a small video of my work on their blog We Are OCA (developed through Vimeo), with my tutor (Peter Haveland) discussing the development of the project and his thoughts as to its success in achieving my aims. The OCA have been truly amazing in their support, not just with A Dozen Eggs, but during the entire time I spent with them as a student of Photography and Creative Writing. I really cannot recommend them enough.

Gillian Rose Blog

I have been researching opportunities for PhD study for next year and have been very keen on studying with Professor Gillian Rose, from The Open University. Professor Rose's book Doing Family Photography: The Domestic, The Public and The Politics of Sentiment was an enormous influence on the work that I did for A Dozen Eggs, which is to exhibit at Bank Street Arts Gallery in Sheffield between 12th November to 1st December this year.

Whilst trying to find some contact details for Professor Rose, I came across her blog (visualmethodculture.wordpress.com), which is absolutely fascinating and is a well of information and ideas concerning visual cultures. I shall be visiting the blog regularly; I'm sure it will inform a lively debate upon which I can base future practical application for my photography and art.

Goodwood Revival Photography Posts

Really pleased that some of my images from working with The Vintage Hair Lounge at the Goodwood Revival have been posted on the official website and facebook page for Goodwood. The dates for next year's Revival have now been posted (13-15 Sep 2013) and I cannot wait to get embroiled in all the fun again. My wife Venetia is working with The Vintage Hair Lounge team once again this weekend, with events at Cambridge and Ipswich, from which we will have some more images to display, but in the meantime, I've been working on some more photographs from previous vintage shoots to display on my website (HaVe Photography), a couple of which are shown below.

Fresh Faced and Wild Eyed Exhibition

An interesting and diverse range of talent was on display at The Photographers' Gallery exhibition for new and aspiring photographers and artists. They were not all to my taste but a couple of ideas really struck a cord. The first was by David Birkin, with a piece entitled I Was So Entranced Seeing that I Did Not Think About the Sight, which depicted a sheet of gelatin silver paper that had been exposed to the light from atop the Empire State Building whilst facing south towards the World Trade Center - embossed onto the paper was a braille translation of Helen Keller's blindsight description of the New York skyline in 1932, which I thought was a wonderfully inventive way of bringing the viewer towards the image (although I was desperate to touch the paper and feel the braille - maybe that was what Birkin had intended, but I didn't feel the gallery would be too pleased).

The second series of images which really caught my eye were by Jonny Briggs, which I thought were truly original, creating 'new realities' through re-imagining what at first glance was a simple 'family snap'; by cutting the image within its frame and 'sliding' it along, it created a fun, yet bizarrely faux-real concept of the documentary.



Of other worthy note (from my own subjective perspective) was Anders Birger, Alison Bettles, Emma Critchley and Seo-Yeoung Won; excellent and thought-provoking work.

Anders Birger

Alison Bettles

Emma Critchley

Seo-Yeoung Won

I got some great ideas for presenting my own images for my exhibition in Sheffield - or should I say, I feel more comfortable about my choice of presentation, having now seen the diverse display of arrangements offered in this exhibition.

Fiona Tan - Vox Populi

Fiona Tan's Vox Populi series is an eclectic and eccentric collection of 'family snaps', chosen to represent the cities (and countries) of Norway, Sydney, Tokyo, Switzerland and London, from Tan's edited choice of publicly-contributed albums. I visited Tan's Vox Populi-London exhibition at The Photographers' Gallery and found it stimulating and engaging, both in content and display. From the latter perspective, all the images were presented at the same size (6" x 9") and format (simple, dark-brown frame) and were 'clustered' together in a single mass against one wall (very much like family images are often displayed together at home). The content follows a rough pattern from left to right (but with overlapping themes) of portraits, home and nature, with significant moments from personal lives, as well as what has become to be the stereotypical norm (see Gillian Rose's work on Doing Family Photography) of banal and insignificant (as far as the viewer can be concerned) aspects of the snapshot. As a collection, the images are fascinating; however, for me the choice of images seems to reinforce the stereotype and I wonder, given the volume of images that Tan had available to her, whether a completely different edit could have been achieved that steered away from the host of baby, wedding, holiday snaps. That said, maybe the stereotype was reinforced because ultimately they truly are the very essence of a family snap. It would be interesting to take an anthropological view of these images and see what was done with them, above and beyond placing them in an album (which is of significance within itself).