Showing posts with label Afghanistan. Show all posts
Showing posts with label Afghanistan. Show all posts

OCA Major Project - New Focus


After all the reading I have been doing of late, I have been reflecting upon the focus of my Major Project for my OCA course. At the start of my course, when I first introduced the idea of doing my project on 'Workers', my tutor said that I may need to refine it, and he was undoubtedly right. This has been reiterated in the advice I received during my portfolio review, and was a major theme coming out of David Hurn's book - the need to be specific, with strong subject matter.

I have, therefore, refined my project to specifically focus on workers in uniform, particularly those that give of themselves for the greater good of others, such as in the Armed Services, the Fire Service and the NHS. Through the images I want to explore the work they do, and the conditions they find themselves in at times - sometimes cramped, cold and uncomfortable and at other times dangerous and/or immensely stressful. I have already started the project with a look at the RAF Regiment training for a deployment to Afghanistan, and also a brief glimpse into the lives of the Royal Gurkha Regiment in Kandahar. These images will form the basis of my next assignment, which will be followed up with work on Fire Fighters, Nurses and the Lifeboat Service.

An example image from this project is shown above, depicting a young airman (19 years old) trying to operate in the back of an armoured vehicle, during an Exercise in which the team were training to patrol against the ever-present threat of suicide bombers in Afghanistan.


A Darkness Visible: Afghanistan


A few months ago I was talking to the journalist and writer Anthony Loyd at a media event. He enthused about a photographer he had worked with in Afghanistan called Seamus Murphy, who I discovered a month or so later was having an exhibition at Asia House Gallery in London called A Darkness Visible: Afghanistan to accompany his book of the same name.

There is nothing quite like seeing images 'in the flesh' at a scale worthy of their status, and this exhibition did not disappoint. Spanning from 1997 to 2007, Murphy's black-and-white images portrayed a poetic landscape, at once both beautiful and harsh, alongside the people who live within it displaying all the scars of living within a war-torn and unforgiving country. Murphy's book is a treasure, but the exhibited images are truly something else; when the deep, proud eyes of an Afghan man holding his baby close to his face look down upon you in that quiet and dim exhibition space, you feel truly humbled.

John Moore in Afghanistan

I found a fabulous clip on YouTube, which has inspired me to look further into producing multimedia packages with my photographs. I have already toyed around with the idea, and am in the process of producing a slideshow with a 2-minute audio clip in the background edited from some interviews that I took at a wedding recently, but John Moore's Helmand piece below, really helps to bring together stills, video and words with fantastic impact. It really shows the possibilities available to the photographer looking into the 'New Media' market.